|
||||||||||
|
||||||||||
Dockta D Bio |
||||||||||
DOCKTA D'S HUMBLE START IN MUSIC |
||||||||||
Dockta D, 2018 Florida State Harmonica Champion, 2009 Central Pennsylvania Blues Society IBC runner-up,
2010 Baltimore Blues Society IBC winner, 2022 Southwest Florida Blues Society IBC winner and 2023 Memphis
Blues Foundation IBC semi finalist, is a hard-drivin' rock yer socks off harmonica man whose hallmark is fun and dramatic performance with tight arrangements,
sassy lyrics, and plenty of good ol' fashioned jamming. Born under a bad sign, Dockta D has been blowin' harmonica ever since he was ten. As an adolescent, he messed around with guitar, bass, drums, sax, and harmonica. But, he fell in love with the blues harp one fateful night at a Paul Butterfield concert held in circa 1971 in his high school gymnasium. He had been messing around with harp for a few years but, that night, he heard the voice of God... well, it was actually Paul's sweet and monstrous amplified harp sound screaming from the PA system, and the young Dockta D (known back then as "Intern D") knew right then and there that he would be a harp player for the rest of his life. From that day forth, he could be heard practicing daily in the stairwells of his high school, which had a nice echo. Eventually, he was asked to join a local band, Icarus, a heavy rock band headed by Nick Bucci (they wanted to cover the hot new band, J. Geils, and he was the only harp player around who could do Whammer Jammer) and got his feet wet (literally... they did a lot of pool parties) performing in front of people. Soon, he started his own band, which he called, "Loose Goose"*, which performed in the Quad-State area. He loved playing for people and soon adapted a 50 ft mic cable into the act so that he could venture out into the audience and play directly to the people (pre-dating the wireless audience forays of the marvelous Rod Piazza). He also pioneered the fine art of jumping from the top of the PA cabinets into the audience to end the show on the last note and thereby credits himself with inventing stage-diving and crowd surfing. He never broke a single leg nor skull - his own or anybody else's - not one single time. Besides Paul Butterfield, other influences include Blind Owl Wilson, Little Walter, James Cotton, Paul deLay, Sonny Boy, Kim Wilson, John Mayall, Lee Oskar, Billy Boy Arnold, Rod Piazza, and Bobby Rush. But his overall musical influences are diverse, as seen in the varied nature of his originals. He writes with a multitude of rhythms, including shuffle, swing, rock-n-roll, funk, street beat, rumba, Latin, and rock. Dockta D has brought a whole lotta energy and entertainment to stages all across the U.S. and Canada, in numerous clubs and casinos, and overseas as well, including concerts for U.S. troops in the Middle East. |
||||||||||
STUDIO WORK |
||||||||||
The Dockta did lots of studio work in Los Angeles, playing on various commercials and theatrical soundtracks. He performed (and acted), for instance, on that famous
Seagram's Golden Wine Cooler commercial (click to watch it) with actor,
Bruce Willis, who was a friend of his, the one with Willis singing on a porch with three guys, including a harmonica player, which was none other than the Dockta. Incidentally,
that commercial was shot live, all one take, no overdubed music. As a matter of fact, speaking of Willis, all of the harmonica "performed" by that actor in the joint HBO/Motown video/LP project, co-written, incidentally, by the Dockta, entitled The Return of Bruno (1987) (click to watch it) (click here to read more about it) was not performed by Willis but was actually performed by the Dockta and lip-synced throughout by Willis (except for some harmonica played by Willis during a live concert which appears at the end of the movie). For instance, the Dockta performed the harmonica on the Peter Gunn Theme, which can be heard in the "Bruno and The Basement" segment of the movie and which Willis lip-synced for the camera. Unfortunately, the executive producer, Willis, neglected to provide the proper screen credit to the Dockta for that harmonica work prior to its airing on HBO and prior to its release on video tape and prior to its release on DVD. But, without a doubt, the harp work is indeed the Dockta's and one need only to listen to it to identify it as the Dockta's inimitable style. As an aside, the Dockta also wrote and sang the song called No One's Home, for the Psychedelic Era segment (click to watch it) of this film, the premise being that the fictitious character "Bruno Radolini", played by Willis, recorded this number, which the Beatles heard, as the story goes, and were influenced to recorded "I Am A Walrus" and "A Day In A Life". Dockta D also wrote the harmonica part for the Bruce Willis single, Respect Yourself a duet with June Pointer featuring background vocals by the Pointer Sisters. Respect Yourself was a hit, peaking at #5 on the US Billboard Hot 100 singles chart and number 7 on the UK Singles Chart, thanks, in part, to Dockta D's harmonica vision for the tune. The tune was the leadoff single off the album counterpart to the Return of Bruno HBO video, entitled, appropriately, The Return of Bruno. The album peaked at #14 on the US Billboard 200 album chart. A music video of Respect Yourself (click to watch it) was made and it aired repeatedly on MTV. As fate would have it, also in LA, Dockta D was hired to play harmonica on a commercial for Shell Oil. He got a call around one o'clock in the morning from a commercial producer whom he had never met who somehow got his number and he was asked if Dock could do a commercial session in the morning. Dock said yes and was instructed to be at a studio in Malibu at 7AM. During the session, the sound engineer asked him if he knew who was supposed to do that commercial and Dock said no and the guy told him that Paul Butterfield was supposed to do it but he died the night before (due to drug-related heart failure, as it were, May 4, 1987). Thus, Paul inspired him become a harp player and da Dockta was honored to fill in for him on his last Earthly gig. RIP. And, here it is: Dockta also performed harmonica on the big 1999 swing hit by Los Angeles hometown big band, Jimmie Lykes and the Club Swingers, Hey Now! off their terrific big band swing album, Female Fishin'. Dockta D also joined the Rev Tor band for their reenactment of The Last Waltz, the famous farewell tour by the The Band (recorded live on 8/23/13 at the World Cafe Live in Wilmington, DE). Dockta D, arguably appropriately, performed the role of Paul Butterfield on the tune Mystery Train, on which Paul played during that Last Waltz Live tour. |
||||||||||
FORMER PROJECTS |
||||||||||
|
||||||||||
THE LESSER-KNOWN EXPERIMENTAL PROJECTS (the black years) |
||||||||||
The Dockta has been in numerous blues rock bands, in Delaware, Utah, California, Tennessee, and Alagonquin Territory: "Dockta D and the Di-Atomix" - synthesized acid jazz - Tangytown "Docktra Sinatra and the Killa Karoonahs" - death lounge - Greenwitch Village "Docktor Diablo e los Quatros Marimbas Electricos" - mariachi fusion - Santo Lo Quinto Correctional Facility "Dockta Chivago and the Crazy Cosacks" - Russian techno blues - Moscow "Dockta Aorta and the Cardiac Arrests" - grunge aerobics - Peaceful Valley Hot Springs Resort, Meditation Retreat and Big Game Hunting Ranch (farm fed lions) "Dockto Procto and the Buttknockers" - medical institution elevator musick - Harvard Medical School Janitors Union Hall house band - Masssacheutsettesetss Witch Dockta and the Wacky Watussis - Afro Deziack Head Enlarging Muzak - Zimbobwae Which Dockta and the Whodunnits - Detective Show Theme music - City of Angles (wrote themes to such obscure and short lived TV gumshoe shows as, Pigs on the Beat, Prostitute Patrol, Hawaii Six-N, The B-Team, Cape May Vice, and The Blob Squad Meets Charlies' Anorexics) and the very laudable endeavor... "Tasty Aid" - the concert to benefit laid-off Tasty-Kake employees at the Upper Darby plant - note: the Boss, Sting, Phil Collins, Willie Nelson, Elton John and Led Zeppelin cancelled when they heard the Dockta was going to open the show. That's understandable... who would want to follow the Dockta under any circumstances altruistic? On a happy note, the almost $600 raised at this event easily covered laid-off icing mixer, Ernie Saleski's, rent last June. Heartfelt thanks go out to all 15 attendees. None of these projects enjoyed much success, which is why the Dock has returned to his roots herein... |
||||||||||
HARMONICA INFLUENCES |
||||||||||
As stated, Paul Butterfield was the earliest major influence on the Dock but that
is probably because he had not yet been exposed to the old masters like Little Walter
Jimmy Reed, Junior Wells, Sonny Boy Williamson, Sonny Terry, Howlin' Wolf and James Cotton, to name a very few.
So, definitely, Paul got the ball rolling toward harp as his instrument of choice. There were many many others from rock-n-roll, hard rock and blues: Charlie Musselwhite's white boy blues style, similar is respects to Butterfield's approach but definitely big on 3rd position. Lee Oscar's (of War fame) melodic single note style. John Mayall's "chordal" and "breathy" style. James Cotton's boogie style and high note bending expertise. Mick Jagger's groove on "Midnight Rambler" -- cool tune. Alan Blind Owl Wilson's (from Canned Heat) big-time boogie feel and smooth sound. Lee Oscar's melodic, single note style. Magic Dick's blues/pop/rock-n-roll interpretation and excellent tone. Real name Richard Salwitz ("Whammer Jammer"). Jack Bruce's (of Creem fame) incredible train emulation style (you MUST check out "Traintime" on Wheels of Fire LP). Kim Wilson and William Clarke's hard-core white boy blues power. Rusty Day's (from Cactus fame) acid-boogie-hard rock style. Robert Plant's English heavy metal blues style. Mark Farner's hard rock style. Grand Funk were masters of the orchestrated jam, which the Dock loves. John Fogerty's high energy bayou chooglin' style ("Keep On Chooglin'). John Lennon (oddly enough) and his rock and roll harp accompaniment style (check out "Little Child"). Charlie McCoy's speed and preciseness ("Orange Blossom Special"). Bob Dylan and Neil Young's folk rock 1st position harp style (later adoped by people like Petty). Sugar Blue's (James Whiting) cool blues style and quickness and nice tone ("Miss You" by the Stones) Rod Piazza's superb old-school styling's, jazz and boogie-woogie influenced harp licks, and absolute master of the amplified harmonica tone. Paul DeLay's super smooth stylings. John Popper's monster approach to the instrument, incredible heavy amped sound, his sheer volume of notes and utter quickness. John Sebastian (after all, he DID play on Roadhouse Blues by the Doors). Toots Thielman, Larry Adler, Paul DeLary and Stevie Wonder's mastery of the chromatic harp. Jean-Jacques Milteau's very nice stylings. Adam Gussow's (Satan and Adam) superb understanding of harp equipment and mechanics. Howard Levy's mastery of the mechanics of the instrument. Jason Ricci's incredible understanding of the instrument, and in particular his mastery of the "overblow" and "overdraw" techniques. Whiz kid extraordinaire. Chief "Red Lips" McClonsky's, the little known blower from from Alagonquin City, famous for his war cry harp style. There are many other great harp players but these are major influences. |
||||||||||
OTHER MUSICAL INFLUENCES |
||||||||||
Dockta D's music is eclectic and his influences are too numerous to list here, but the short list
is - blues, R and B, T and A, rock, blues rock, jailhouse rock, limbo rock, religious rock, acid rock, folk rock, soft rock, hard rock, rock around the clock,
rock hard crock, volcanic rock, rock opera, rock and a hard place, rock-n-roll, rolling rock, rolling stones, roll away the stone, too rolling stone, hard roll,
soft roll, Italian roll, roll over Beethoven, the Beatles, the beat goes on, Texas Radio and the Big Beat, Texas swing, playground swing, swinging from the
gallows pole, DC sling, Nashville swang, Francisco schwagger, Cambodian bamboo accordian, Uncasville umbilicordian, harmodium, hurdy gurdy, tin pan alley,
Icelandic longboat coast-raiding hymns, funk, flunk, fusion, re-fusion, fission jazz,tango, tango-n-cash, tang the hump, ting tang walla walla bing bang,
Kentucky spoon kloppting, Alabammah fork flaffing, Mussel Shoales, Mrs. Mrs. Jones, New England whaling songs, whale song, bird song, Brian's song,
song sung blue, bluesmagoos, hamhock blues, country blues, city blues, roadhouse blues, hill street blues, blues for breakfast, organ grinder, church organ,
Roller rink organ, morgan on the organ, the Mormon Tabernacle Choir, the Mormon Tabernacle Jazz Band, the Mormon Tabernacle Death Mettle Symphony,
the Mermon T. Abernathy Mormon Barber Shop Siamese Quartuplets, Mormon campfire polygamy hymnals, Donnie and Marie, LSD music, Philadelphia psychedelia,
psychedelic shack, Shak Rap, scat, Mummers, Polish polka dot, Greek wedding music, Italian funeral home music, four beat waltz, East
Tennessee Smokey Mountain yodelayhehoo, Ozzie Ozborne, the theme from Ozzie and Harriet, the land of Oz castle guard chants, Oslo ohsolomeo, Latvian Kjazunknak
vodka drinking nursery rhymes, the Cracker Jack jingle, soundtrack, electronic, techno, trance, house, home, home and garden, sound garden, kindergarten snack-time
sing-a-longs, grunge music, la grange music, torture chamber music, new wave, old wave, permanent wave, surf music, nurf music, smurf music, beach shag music, tiki music,
klatu mirata niktu nasal humming, black rapper lip and mouth drum kit emulation, hip hop, bip bop, ahhhh beep beep, merengue, marangue, opera, oprah, punta, la pinto,
Mexican hat dance, Mexican halter top dance, Mexican rope belt dance, elevator muzak, nursery school red stick/blue stick marching music, ragtime, bayou bullfrog
roast tunes, campfire songs, ol' Lewsianna street beat, back beat, front beat, ballroom waltz, ballroom blitz, banjo, washboard, folk, traditional African music,
traditional Hawaiian fire knife virgin sacrifice log drum music, traditional new age music, contemporary old age music, Gaelic boogaloo, synthesized,
musical chairs music, zydeco, wrap, Campfire Girl throat warbling, Comanche Indian tomtom war beats, the one and only Atlanta Braves "Indian" crowd chant,
European soccer fan riot chants, gay and lesbian "coming out" striptese music, death row harmonica music, boogie woogie, reggae, oye oye oye punk, pink,
massage parlor background meditation wave sounds, mall subliminal inspirational, world music, big band, little band, mini band, Transylvanian gypsy calypso,
heavy metal (lead, iron, tin), light medal, jews harp, jews trombone, jews timbales, Palestinian la boomba, bomba y plena, Rat Pack, Rat Patrol, Mickey Mouse Club,
accoustic finger style guitar, slide guitar, steel pedal guitar, Bangladesh sitar, Tibetan shitar, belly drumming, alternative music, optional music, substitute music,
easy listening, hard listening, hard of hearing, country western, country eastern, city southern, salsa, samba, simba, sambo, jazzbo, harp music, harpo marx, Inuit Indian
Harp seal bludgeoning chant music, commercial jingle music, country fiddle, fiddle faddle, fiddle about, classical, neo-classical, neo-lithical, ska, Gothic
contrapuntal, Contra-Iranian disco, juke joint, jug band, Kate Smith, the Charleston, skin head love ballads, punk, monk, Gregorian chant, Motown sole, Irish jig,
crooner, techno, soft death metal, bluegrass, greengrass, marching muzak, gospel, cotton field call and answer, Mexican pop polka, Welsh Arterial Clogging, Korean Creole,
Australian dingo watzenelli waltz, Scottish bagpipe, Indian hookapipe, Swiss glockenspoogle, Finnish kazooka, Iranian self-flagellation hymnals, and Japanese kamakazee karyoke. |
||||||||||
AWARDS/TITLES/COMMENDATIONS/INVENTIONS |
||||||||||
Dockta D is a decorated veteran of many foreign battles of the bands and he holds numerous honors and titles in WHA competitions (World Harp Association, Inc.): Creator of the latest urban craze, Hippity Hoppity (which is gangsta rap for kindergartners) with cool tunes like "Can't Get My MoFo Cookies
and Milk", "Shot Miss Malinda Wit Ma Pea Shoota", and "F%*k Dem Naps Bitch"; But Wednesday's just as mild Yeah, they call me Calmy Tuesday But Wednesday's just as mild And Thursday's even nicer And Friday I get high" (or the alternate, "Friday I get by", depending on if yer playing it on the Ed Sullivan Show) World Record Holder
for writing the most songs about Honky Tonkin'.
Here are just a few written by the Dockta: Honky Tonkin' Is Fun Honky Tonkin' Is Easy I Like Honky Tonkin' I Hate Honky Tonkin' Willie Wonka Honky Tonka Honky Tonk Pick Up Lines and Honky Tonk Pick Up Trucks When I Die I'm Goin' To Honky Tonk Heaven When I Die I'm Goin' To Honky Tonk Hell When I Die I'm Goin' To Honky Tonk Valhalla When I Am Deceased I Will Visit The Honky Tonk Hereafter When I Die I'm Goin' Down To The Honky Tonk And Get Drunk OneMore Time I Lost My Honky Tonk Dog Somewhere Behind The Bar My Momma Nursed Me On A Honky Tonk Still I Got The Honky Tonk Tank Top Tiddy Bar Blues I Got The Hip Hop Honky Tonk Muthafukin Blues Got Me A Horse Named Honky Tonk And A Dog Named Honky Tonk, Too I Got The Boot Kickin', Harp Lickin', Fiddle Pickin', Honky Tonkin' Blues and many, many, more... And so, there you have it: as you can see, the Dockta has had quite
a prolific career, spanning many months, as a musician, writer,
inventor, and creator of many cool things. *Note: to set the record straight, the actor, Bruce Willis, was never a member of Loose Goose, as has often been reported erroneously on the Internet. He hired my band once and that's it. No other connection other than jamming occasionally. ***Note: bestselling in Death Valley, California and in the shoretown of Khirbat Qumran north bank of the Dead Sea. |